20200311@602:钻井笃笃笃打字机哒哒哒一股对往昔美好(落后小镇-固守tell the truth的老报人)已逝的伤感弥漫着而对那些娱乐拜金穷忙活瞎感动的美国人的反讽则显得有些刻意如BW其它经典的黑色角色Tatum精明却尚存一点良心用你的指尖把我搅乱吧未增删在这种现代生存法则掌握的不纯使其必然毁灭他早就看透这一切所以在这之前历经无数次自毁
寂寞小水怪:123.235.232.70
3 Sundance #3; Ishiguro gives Ikiru a sprinkle of poignancy distinctive in his literary works, and his screenplay successfully transplants this story to 1950s England, a period the director replicates aptly both in its appearance and its texture. However, Living does feel rushed at times and inevitably lives in the shadow of its Japanese counterpart. The first half of the film gives too little time to establish the setting, so while the life of Mr. Williams stands on itself, the final satire on the British bureaucracy comes especially less pointed and even disjointed from the rest of the film. Certain actions also feel out of space and added simply for being faithful to the original film
亚比煞:121.76.11.33
嘲笑你梦想的人用你的指尖把我搅乱吧未增删在是因为他们自卑没有足够的勇气去放手一搏最后也只配拥有平淡无奇的一生Do what you like and fuck the restall I need is the courage.